September 14, 2024 AD
This Sunday the Church celebrates Our Lady of Sorrows. This feast was originally authorized in 1692 by Pope Innocent XII to honor the sorrow that the Blessed Virgin Mary suffered so perfectly throughout her earthly life with Our Lord Jesus Christ.
Devotion to the Seven Sorrows of Mary began to flourish in the 13th century, thanks to the seven founders of the Order of the Servants of Mary. Our Lady’s Seven Sorrows are:
thy own soul a sword shall pierce
The Mass for this feast is one of only five in the traditional Roman
Missal which retain the honor of a sequence: the Stabat Mater. The
English version of this hymn, At the Cross Her Station Keeping,
is traditionally sung at Stations of the Cross during Lent.
The feast was originally celebrated on the third Sunday in September, but Pope Saint Pius X moved it to a fixed date of September 15th. A sad result of this decision (given the lack of traditional Masses in our time) is that most Catholics are unlikely to ever hear the sublime chants for this feast in a Sung Mass.
The Alleluia for this Mass is perhaps the most heavy-hearted you’ll find in the Liber Usualis:
Alleluia, Alleluia. Stabat sancta Maria, caeli Regina, et mundi Domina, juxta crucem Domini nostri Jesu Christi dolorosa. Alleluia.
In English:
Holy Mary, queen of heaven and mistress of the world, stood, filled with sorrow, by the cross of our Lord Jesus Christ.
Long, descending scales are a unique motif of this particular chant, which I have highlighted above. This melodic pattern occurs quite rarely in the Church’s liturgy. The descending notes call to mind the tears which fell from the eyes of our Blessed Mother at the foot of the cross.
And yet, even as we look upon her Son, hanging upon a cross and pierced with a lance: Alleluia, Alleluia. How much Holy Mother Church teaches us, even through Her melodies!